Viola — Karl-Heinz Domning, 1973
Othello (Gustav F. Schroeder, Central Type Foundry, ca.1884–92)
Othello (Morris Fuller Benton, ATF, 1934)
Roundhead (Franklin, 1889 / MacKellar, Smiths & Jordan, ca.1891)
Fiorello (Photo-Lettering), CG Fiorello Condensed (Compugraphic), PL Fiorello Condensed (Agfa/Monotype)
Dutch Master (Roger Hartley, Silver Graphics, 1995)
Iago NF (Nick Curtis, Nick’s Fonts, 2011)
Bathysphere (Seymour Caprice, Kickingbird, 2013)
Rubens (John F. Cumming, Boston Type Foundry, 1884 / ATF / Palmer & Rey / Franklin, 1889)
Teniers (John F. Cumming, Boston Type Foundry, 1887) Seems to be simply a small caps version of Rubens.
Ravenscroft (Justin Callaghan, Mickey Avenue, 2001)
Rubens (Jordan Davies, Wooden Type Fonts, 2005)
Whelan Antique (Photoscript, Ltd.)
Makart (Julius Herriet, Boston Type Foundry, ca.1886 / Palmer & Rey)
Argent (Cleveland Type Foundry, 1883)
Algonquin (John F. Cumming, Dickinson Type Foundry, ca.1890)
Telegraph (Charles H. Beeler, MacKellar, Smiths & Jordan, 1895)
Telegraph (Dan X. Solo, Solotype)
Apothecary (Roger Hartley, Silver Graphics, 1993)
LHF Ambrosia (Chuck Davis, Letterhead Fonts, 2004)
Astroid Primo (Spiece Graphics, 2009)
506 (W. H. Page)
Teniers (Hamilton, 1888)
Teniers (Jordan Davies, Wooden Type Fonts, 2005)
William Page 506 (Jordan Davies, Wooden Type Fonts, 2005)
House of Cards (Ryoichi Tsunekawa, Flat-It, 2012)
Rotis Semi Serif — Otl Aicher, 1989
“Rotis is mediocre … [to] … incompetent” said Robin Kinross, who adds: “Aicher was a good graphic designer, a fine photographer, made some very nice posters, and did some pretty good magazine design work, but – despite what he liked to think – he wasn’t a good typographer or book designer.” — Is Rotis a Typeface?
Areplos — Jan Solpera and František Štorm, 1970–80, 2005
Wonderful. But careful, the descenders are very short.
Cicéro — Thierry Puyfoulhoux, 1994
Not really like Rotis in structure, but has the “semi serifs”.